Category Archives: academy awards

Between Blade Runner and Blade Runner 2049

The production team behind the Blade Runner 2049 movie opening in theaters today had a lot of creative energy to spare. So much so that they put together three shorts to explain what major events happened from the end of the original Blade Runner, which was set in the Los Angeles of 2019, and the beginning of the new motion picture.

The first short, at least in chronological order if not the order the shorts were released, features the animation work of Shinichiro Watanabe, who is perhaps best known for the Cowboy Bebop anime series, starts the ball rolling for what happened to Los Angeles - Blade Runner Black Out 2022:

The second short features Jared Leto's character, Niander Wallace, whose company was allowed to produce new replicants after a decade of prohibition - Blade Runner 2036: Nexus Dawn:

The third short follows Dave Battista's character, Sapper Morton, whose actions set the immediate stage for what happens in the new movie - Blade Runner 2048: Nowhere to Run:

Where was this movie all summer long?

Missing from Movies This Summer: Fun!

Summer 2017 is turning out to be something of a disappointment at the cineplex. So, with that thought in mind, we're going to do what millions of teens this summer are doing and turning to YouTube for the kind of fun that used to come with Hollywood's biggest blockbusters, but which seems to be in too short of supply this summer. Enjoy!...

But wait, we have a double feature!

In other, important entertainment news, Hollywood director Joel Schumacher has finally apologized for Batman and Robin, which almost completely counteracted all that was good at the movies in the summer of 1997.

The Dismal Oscars and How China Can Make Hollywood Make Better Movies

Academy Award - Source:

We made it another year without having to suffer through watching the annual abomination that is the Academy Awards ceremony this past Sunday, where Moonlight was declared to be 2016's Best Picture after La La Land was.

The blame for the Best Picture snafu apparently lay with Hollywood's accountants, who had broken away from their regular work and also their regular Sunday-night game of Three Card Monte to hand out cards in sealed envelopes identifying this year's "winners" to people who are professionally trained to read whatever words are put in front of them while on stage. So it couldn't possibly have been the Academy Awards' producers fault, because who could possibly have foreseen that such a thing could happen during a live televised broadcast? Especially after those four other times....

That wasn't even the day's only disaster. Earlier, a "giant prop" used as part of a background set for a performance number at this year's Academy Awards crashed down onto the stage, ripping a large curtain and crushing a camera during a break in the event's rehearsals. So far, nobody has fingered the Hollywood accountants as also being behind that incident, but fortunately, at least no one was injured.

And then, there was the untimely premature death announcment for Australian movie producer Jan Chapman, which came in the form of her photograph appearing during the Oscar's "In Memoriam" segment, where she had been misidentified as Australian costume designer Janet Patterson, who sadly did pass away back in October 2015. The auditors from PriceWaterhouseCooper couldn't be reached for comment regarding their potential involvement in that mix up.

These three incidents demonstrating exceptionally poor quality control on the part of the producers of the 89th Annual Academy Awards were in *addition* to all the mundane things that make the annual Academy Awards televised broadcast such an awful viewing experience year after year, most of which are actually planned to happen. We knew better than to watch it before the broadcast began, but considering what happened, we're even more against the idea of investing any amount of time to watch future Academy Award presentations.

If this were baseball, what happened at the 89th Academy Awards would be strikes one, two and three against Hollywood's producers. If we were looking to invest money to make either money or art by making motion pictures, we would rank the idea of doing that behind the opportunity to buy Turkish bonds at ground floor prices.

Speaking of which, what kind of people actually invest money to make movies these days?

Increasingly, the generic answer to that question in recent years has been "Chinese investors", where a lot of money has been cashed out of China's economy to fund both movie productions and the acquisitions of Hollywood movie studios. In return for that largesse, Hollywood's producers have become especially accommodating to Chinese interests.

These deals have sparked concern over whether China’s expanding influence in Hollywood could lead to more pro-Chinese propaganda in U.S. films. The Chinese government tightly controls media content, and Hollywood studios have been known to alter films to feature China or the Chinese government in a more flattering light to gain access to the country’s lucrative film market.

If you were to go out into today's movie theatres to see the result of that influence, you would need to look no further than The Great Wall starring Matt Damon, which may be considered to be a prime example of the intersection of Hollywood movies that were purposefully made to satisfy the Chinese government's sensibilities. The good news, if you can call it that, is that despite its bad reviews, it is reportedly much more watchable than the annual Academy Awards ceremony.

While the movie did alright financially in China, it got bad reviews in that country, even though it was crafted specifically for it. Meanwhile, two weeks into its run, it's clear that it won't be making much money from American audiences.

Hollywood is in desperate need of a turnaround artist to fix its multitude of problems. But can its current predicament, where poor quality defines its intended blockbuster products and absolutely permeates the televised award show where it purports to recognize the best work done within the motion picture industry, even be fixed at this point?

Believe it or not, the answer may lie with the Chinese government, who in its desire to halt the flight of capital from that country, is cracking down on Chinese businessmen to keep them from making "irrational" overseas investments in Hollywood film productions, among other unseemly investments, where they suspect that the investments are merely a means for moving large sums of money outside of the government's control.

Responding to the still-hypothetical question asked by Hollywood Reporter in response to that developing crack down, "What if China's money stream stops flowing to Hollywood?", Ed Driscoll speculated that the end of that flow of cash into Hollywood's odd accounting system might actually lead to better quality movies:

Movies might suck less, for one thing, since their plots and dialogue are often dumbed for foreign consumption — not to mention censored as well to placate the Chinese government. Or as even urban haute bourgeois* left Vanity Fair asked in August, "Did You Catch All the Ways Hollywood Pandered to China This Year?"

But would Hollywood movies not made to specifically pass muster with China's government do more poorly at the box office in that country?

There is an interesting example from the biggest money-making movie of 2016: Captain America: Civil War, which not only dominated the U.S. box office, it dominated box offices around the world, including in China.

Better still, it drew strongly positive reviews that praised the movie's intelligence:

Critics Consensus: Captain America: Civil War begins the next wave of Marvel movies with an action-packed superhero blockbuster boasting a decidedly non-cartoonish plot and the courage to explore thought-provoking themes.

If you go down the list of 2016's top money making films, you'll find similar global box office results and critical summaries for movies like Finding Dory, Zootopia and The Jungle Book, which all earned considerably more money overseas than they did in the United States while they were also critically praised for their thoughtful qualities.

The only exception in the Top 5 grossing moving of 2016 is Rogue One: A Star Wars Story, which wasn't cited for many thoughtful qualities by critics. And in fact, Rogue One was the only movie in the year's Top 30 that made more money in the U.S. than it did overseas.

Dumbing down a movie script to make it more appealing to another country's cinematic censors is the wrong way to go if Hollywood producers are really in the business of making entertaining or thought-provoking movies that make money. All things considered after this year's multiple Academy Awards fiascos however, we wonder if Hollywood's producers should even be considered to be part of the entertainment industry. If we had to guess, we would think that they're really in some form of organized crime, because that makes more sense than the accounting system they use.

Deadpool Versus the 2015 Best Picture Nominees 2

Several weeks ago, we compared the box office performance of the movie Deadpool against its eight 2015 Best Picture Academy Award-nominated peers. Back then, we found that the scrappy Deadpool beat all eight films through its first week of release.

Today, we're producing the sequel to that original story, where this time, we find that the eight Best Picture nominees of 2015 have struck back, taking the cumulative box office crown away from 2016's Deadpool.

Cumulative Box Office Totals During First Four Weeks of Release, Deadpool versus 2015 Best Picture Nominees

It really shouldn't be a surprise, but you should always expect that eight movies, even 2015's Best Picture nominees, will combine to make more money at the box office than just one movie.

The real story here is how the eight 2015 Best Picture nominees did it. Basically, they added another 8,400 theaters in their third week of release to their previous week's total of 10,487, dwarfing the peak of 3,836 for Deadpool by nearly a factor of 5.

And then, in their fourth week of release, they added another 566.

It was like one of those cliché fight scenes in a superhero movie where the evil league of supervillains start fighting really dirty by ordering their henchmen to "sic 'em" in the hopes of overwhelming their greatly outnumbered foe.

But what if the odds were equalized? What if we calculated the average gross per theater for each day of release for all these movies, and then compared their box office prowess, mano a mano?

Here's the chart showing the results of that daily calculation for the first four weeks of release for Deadpool and the eight 2015 Best Picture nominees.

Average Box Office Total per Theater by Day of Release, Deadpool versus 2015 Best Picture Nominees

And here's how it looks when we add up the cumulative average box office per theater take.

Cumulative Average Box Office Total per Theater, Deadpool versus 2015 Best Picture Nominees

In this last chart, we confirm that Deadpool is nearly twice the movie that the eight Best Picture nominees of 2015 are where performance in Hollywood matters most. At the box office.

But here's the best part - the winner of the Academy Award for Best Picture and Pretentiousness in 2015, Spotlight, is going to have a sequel. So at some point in the future, we're going to get a rematch. Alas, without The Revenant 2.

Just like in the movies!

Deadpool Versus the 2015 Best Picture Nominees

It's time for the Academy Awards once again, which our longtime readers know fills us with an overwhelming sense of imminent doom.

What would it take to make watching the annual awards ceremony into a more tolerable experience?

We're serious. What would it take? Because the producers and writers for the awards show certainly don't have any good ideas, and try as we might, there just is not enough beer in the world to make it better....

But then, we suddenly and unexpectedly found reason for hope, when the answer became apparent thanks to Ryan Reynolds' last minute Oscars campaign to get Deadpool nominated for Best Picture.

Ryan Reynolds' Late Oscars Write in Campaign Tweet

Although technically ineligible for consideration by the temporally-constrained members of the Academy of Motion Picture Arts and Sciences, who limited the nominees to just those films shown in U.S. theaters in 2015, it's exactly what the Academy needs to really shake things up. Otherwise, we'd be stuck with a bunch of not-so-popular films of questionable watchability that were nominated purely on the basis of their artistic merit.

If you're like us, your gag reflex was triggered when you read the last two words of that previous sentence.

That's because you, like us, know that Hollywood only really cares about two things: money and status. Hollywood people absolutely obsess over both things, where success is defined as either making lots of bucks at the box office or by achieving status through the recognition of their artistic achievements by their peers.

They use Oscars to measure their status as "artists", where the biggest winner gets the Oscar for Best Picture. In making that determination, voting members of the Academy will go off to a dark room, whip out their complimentary viewing copies of the nominated films, and then compare them to each other over and over again until they've ranked one above all others. The winner is then awarded with the peer recognition of their artistic status in the form of a 13.5-inch tall gold-plated phallic trophy.

Really. It's just like that.

That's why upsetting all the Academy's apple carts by getting a more popular movie like Deadpool into consideration for Best Picture of 2015 is such an attractive idea, and all the more so because Deadpool so clearly captures the vital essence of what drives Hollywood itself.

And by the other measure of success in Hollywood, money, Deadpool has already beaten all the contenders for Best Picture of 2015. At least, through its first full week of release:

Cumulative Box Office Totals During First 7 Days of Release: Deadpool versus 2015 Best Picture Nominees

And that's without taking into account the fact that the eight Best Picture nominees were being shown in nearly three times as many theaters as Deadpool. If we were to do that math, the cumulative box office performance of the 8 Best Picture nominees would, shall we say, come up somewhat short.

Which is why Hollywood is talking about Deadpool 2 and not The Revenant 2. Unless perhaps the producers of that other sequel fix the main deficiency of the first one.